A comparison of “Deirdre” and “On Baile’s Strand” by William Butler Yeats Essay

Deirdre and On Bailes undercoat are cardinal plays by William Butler Yeats that incorporate a sad vision. Both plays jazz with a single tragic mo handst in the life of an valuable figure. The plays are similar in structure and style. Yeats interweaves supernatural elements in nigh(prenominal)(prenominal) plays the Shape Changers in On Bailes Strand and the circumstances of Deirdres birth and the question of her parentage in Deirdre. The endings of the plays are similar, however, the process of approach path to a conclusion in the plays is different.In both of these plays, Yeats sires readers the back ground, reading about the characters, and finds the scene at the beginning. In On Bailes Strand Yeats uses two characters, the Fool and the dodge serviceman, whose purpose in the play was to call the situation and the characters involved. In Deirdre Yeats uses agroup of three female musicians to set the scenes and give information about the characters. Even with this sim ilarity, however, there is a difference. In On Bailes Strand the Fool and the Blind man are not directly involved in the action of the play. The exception is at the end of the play when through them, Cuchulain learns that he has killed his only son. The Fool and the Blind Man give tongue to prose while the musicians in Deirdre sing. The three female musicians in Deirdre, however, are spoken to and answer the main characters in the play. In both instances, the Fool and the Blind Man, and the three female musicians have knowledge that the another(prenominal) characters do not.The settings of the plays reflect the main characters. In Deirdre, a tragedy with a female main character, the setting is feminine and action flashs place in a guest-house in sereneness of the woods. On Bailes Strand, a tragedy with a male main character, the setting is masculine and the action takes place in an assembly-house skilful a harsh sea.No only is On Bailes Strand masculine in the sense that it take s place near a harsh sea, it is likewise without amply human women. The mavin fully human woman, Aoife, that is mentioned in the play, is seen as an evil influence. Conchubar tells CuchulainThat very woman For I know well that your are praising Aoife Now hates you and will trust no subtletyUnknotted that might run into a noose astir(predicate) your throat (28)However, Cuchulain remembers her as being of stone-pale cheek and red-br avow hair and stated that no(prenominal) other had all beauty, sissy or lover,Or was so fitted to give birth to kings. (28)With Cuchulains vivid descriptions of her, Aoife, although she is not seen in the play, is able to be seen as clearly as the other characters.In both of the plays, the most(prenominal) dramatic part revolves around two things death and the unknown. In Deirdre, Deirdre pleads with Conchubar to supererogatory her and Naoises lives. She is unaware that Naoise is already dead. She did not see Conchubar motion to the dark-faced men who gag Naoise and pull him out of view. Deirdrepleads with Conchubar, telling him that he will take outside Naoise some day, but Conchubar only laughs. Deirdre tells himYou will cry out for him someday and say,If Naoise were but living she misses Naoise.Where is he?Where have you sent him? Where is the son of Usna?Where is he, O where is he? (69)This is the most tragic part of the play. Even more tragic than the deaths of Deirdre and Naoise because everyone except Deirdre knows that her pleading is futile.The most dramatic scene in On Bailes Stand comes afterward Cuchulain kills the Young Man, not knowing that he is his son. The Blind Man tells Cuchulain that he knows the Young Mans female parentBLIND MAN I knew him and his mother there.CUCHULAIN He was about to speak of her when he died.BLIND MAN He was a queens son.CUCHULAIN What queen? what queen? Seizes Blind Man whois now sitting upon the bench Was it Scathach?There were some queens. All the rulers there werequeens.And fu rther into the conversation the Fool tells Cuchulain that the Blind Man said the young man was Aoifes son and that he had also heard Aoife say that she has had only one lover, and he was theonly one who had defeated her in battle. The Blind Man is the one to say it is his own son he has slain.Another important element found in the play is the idea of treachery or betrayal of trust. In both Deirdre and On Bailes Strand, treachery results in death. In Deirdre Fergus trusts Conchubar and is betrayed by him and he betrays others in the play by not divulging knowledge he has. Naoise trusts Fergus, and to some extent Conchubar, and is betrayed. Deirdre trusts Naoise and becomes a victim with him after he is killed. Deirdre betrays Conchubar twice. First when she runs away with Naoise and hides for seven years, and again before taking her own life. Conchubar betrays both Deirdre and Naoise in order the win Deirdre and punish Naoise for stealing her from him and, in turn, this is when he is betrayed by Deirdre and Naoise. Early in the play, after Naoise realized that Conchubar has not sent a messenger to meet with them, Fergus tells Deirdre andNaoise that Conchubar will arrive in person. Naoise responds that he cannot commotion his faith and I have his word and I must take that word. After seeing a chess-board and remembering the tale of Lugaidh Redstripe and his wife, who both died after being betrayed Naoise speaksIf I had not King Conchubars word Id thinkThat chess-board ominous. (53)Fergus recalls the tall of Lugaidh Redstripe as the tale of treachery, A befuddled promise that is best forgotten.In On Bailes Strand, Cuchulain is betrayed by the vow he made to Conchubar when Conchubar calls him on it after the Young Mans arrival. When Cuchulain refuses to fight the Young Man, Conchubar tells him that witchcraft has maddened you. Cuchulain realizes he had been betrayed after he kills his son. He runs outto the sea to fight the harsh waves, which he sees as an imag e of Conchubar.Deirdre and On Bailes Strand are two plays whose consequent is based on the tragedy upholding honor. Cuchulains honor of Conchubar in On Bailes Strand, and Deirdres honor of Naoise and Naoises honor of Conchubar in Deirdre. The obstinacy of knowledge the reader has about the events of the play heighten the tragic personal effects found in both Deirdre and On Bailes Strand.